Happy Camp has become one of the most popular entertainment programs in China now, which owes to the linguistic humor of the hosts to a large extent. Cooperative Principle is a set of maxims for conversation. If people obey these maxims when they have a talk, the conversation will be successful. However, if they violate these maxims on some occasions,it would result in linguistic humor. This paper is going to analyze the linguistic humor of the hosts of Happy Camp in the perspective of Cooperative Principle in the hope of having implication for hosts of other entertainment programs.

In a country like India with diversified culture and social backdrop, syncretism with its delicate manure happens to be a significant phenomenon that has been given due emphasis by Nayantara Sahgal in her novel, Mistaken Identity. Sahgal has not only shown utmost concern for a united nation but has tried to bring to the foreground its crude limitations in a multicultural society. Sahgal’s prime focus has been for a unification of the humanistic values with the divergent features of various religions prevailed in this subcontinent through the character, Bhushan, the protagonist in the novel. This paper has tried to make a resilient attempt in exploring the unique racial and ethnic prospect replicating the exceptional irreligious and syncretic mosaic that yearns to prevail amidst the multicultural society of human habitation.

Bali was well recognized as an appealing holiday destination before Elizabeth Gilbert’s 2006 book Eat Pray Love became an international best seller. That book, and the subsequent film, confirmed Bali and the inland town of Ubud in particular, as a significant setting for spiritual tourism, particularly for affluent Western women. Spiritual retreats and a wide range of New Age activities are now a substantial market niche in Bali. Private entrepreneurs outside of Bali sell their New Age products over the www. Ubud is a veritable hypermarket of free-enterprise New Age services and merchandise. Bali Tourism’s marketing pages on www do not promote Eat Pray Love tours or activities. There is no need, or advantage, for any official organization to advertise those attractions. For prospective Eat Love Pray visitors, de facto destination marketing via www sites, bloggers and Facebook posts are trustworthy. They supersede any local official destination marketing campaigns for this particular category of tourist. As the consumption of New Age products takes place over the web, the result is considerable economic leakage. Bali itself is intrinsic to the tourist product but has limited profits from the expenditure by these tourists. The services and products offered are not regulated in any way, but nor are they illicit. The discussion draws from interviews and participation observation on four fieldtrips, between 2015 and 2018.

Cognitive Space at the Level of Sentence in Vietnamese: According to Gilles Fauconnier, for any language expression, it always evokes a cognitive space in the consciousness of the perceptor. That space can also be considered as a space simulator of the real space, created in the minds of language users. It is a large holistic perspective which can have many levels, many layers. Every cognitive space contains its components and this space is created from the cognitive frames and cognitive patterns that the language expression reflects. It is made dependent on many factors such as the ability to schematize, the background knowledge, the analytical, synthetic, mapping methods, the concept partitioning, etc. of the perceptor. In this article we use the theory of cognitive space by Gilles Fauconnier to examine the types of cognitive space formed at the level of sentence in Vietnamese. The research results help us better understand how the Vietnamese generate language. Simultaneously, it also enables us to add a good orientation for teaching Vietnamese as a foreign language to foreigners.

We, the authors, tended to have interest on Chinese characters and their origin. It is considered that the people of Shang (or it was called as Eun) country, the second dynasty of old China has commenced the work of creation of Chinese characters. We tried to know the meaning of the randomly chosen 11 Chinese characters (0000-0010). At first, we analyzed the Chinese character into several parts, and then we pronounced those parts of a Chinese character on Korean pronunciation. We found next two things. At first Chinese characters are well understood if we translate the character on Korean pronunciation. And the second is that there are distinct differences between the original meaning and the present meaning; the original meaning is deeply stronger the presently used meaning. As a conclusion, it seems that the ancient Korean people have created the Chinese characters.

The researchers knew that Tcheonzamun (the Thousand Character Essay) was utilised in Tchin Empire. The poem of the present article was composed of 16 characters from the 849th to 864th letters from Tcheonzamun. This Tcheonzamum poem (849th-864th letters) seemed to be written on the relation between the wife and the husband. We found that this third line of the poem (857th-860th) is the door between the two translations; through the meaning of Chinese character and the interpret through Korean pronunciation. And the translation of this line through Chinese character expresses the whole meaning of this poem through Korean pronunciation. The Maeg wife said to her husband, "My Dear Maeg Husband, it is your role for me to move in a lively way! Please make me feel such a light-hearted or a cheerful mood!"